More from Transitions one
Out of Tune’ A V Dolven
Exile
In the Descent myths Demeter is separated from Eurydice, Isis from
Osiris and Orpheus from Eurydice. The story of Cupid and Psyche is also a tale
of separation and sometimes of unity. It warns of the analytical frame of mind
that destroys synthesis - analysis kills and synthesis brings to life - that
Psyche uses when she looks at her lover through the outward rather than inward
eye. Analysis breeding paralysis we might say. This understanding of the myth
illustrates Cartesian dualism of eighteenth century’s so called Enlightenment
that separated mind from body, subject from object, consciousness from
unconscious, humanity from the divine, heart from head - splitting human beings
down the middle.
Yet this psychological characteristic of twenty first
century mind is not as immediately apparent as the plight of an immigrant cut
off from much he loves and knows. Where
Nikolaj Larsen’s film shows the hope of migrants for the Promised Land,
Sanjeev Sahota in novel Ours Are the Streets shows disillusion and despair
of a second generation immigrant’s uncertainty with identity and belonging. Yet
he takes us under his protagonist’s skin teasing us with an empathy we feel for
this outsider - split down the middle, caught in a kind of limbo-land between
much he loves and despises - whose action we can’t condone.
In Ours Are the
Streets the feeling of longing and loss, though never self-pitying, is
painfully acute. It speaks of an exile more enormous than that from countries
or being sandwiched between cultures. The compulsive beauty of Sahota’s flowing
prose where the ordinary is bold and highlighted by something extra, but
ultimately disappoints, because of the protagonist’s own cultural isolation, is
raw reminder that it doesn’t matter how far we’ve travelled. The amount of
loneliness or un-belonging we can unburden doesn’t equal the miles.
This is brought home in the film Welcome about a Kurdish
boy who has travelled four thousand miles and now wants to swim the Channel,
like Leander, to reach his girlfriend who is betrothed to another. And yet,
remarks his trainer, he himself cannot even cross the road to reach his
estranged wife.
What follows are extracts from Sanjeev Sahota’s haunting novel Ours
Are the Streets published this year by Picador.
Extracts from
Ours Are the Streets
Sunjeev Sahota
Picador, 2011.
Second
generation immigrant in two worlds.
We
were meant to become part of these streets. They were meant to be ours as much
as anyone’s. That’s what you said you worked for, came for. Were it worth it,
Abba? Because I sure as hell don’t know. I used to just slam the door and stand
with my back to it, wondering, What end? Whose end? When is this fucking end?
Because what’s the point, man? What’s the point in dragging your life across
entire continents if by the time it’s worth it you’re already at the end?
Ameen. (p 70)
‘Honestly,
Tauji. We don’t really know what we’re about, I guess. Who we are, what we’re
here for’. But that weren’t nothing like what I wanted to say. Even to me it
just sounded like the usual crap I’d been hearing for years. I wanted to talk
about why I felt fine rooting for Liverpool, in a quiet way, but not England. I
wanted to talk about why I found myself defending Muslims against white and
whites against Muslims. About why I loved Abba but had still wished him dead.
But I couldn’t think of how to say anything I wanted. ‘I mean, we’re the ones
stuck in the middle of everything. Like we’re not sure whose side we’re meant
to be on, you know?’
(p137)
Acceptance.
A
boy in long blue robes were looking at me. He were crouched down at the side of
the road, cleaning his teeth with a stick and spitting into the sand. I were
expecting him to come begging, but he didn’t. He just spat again into the small
frothy puddle of dirt he’d made, then got up and walked off. I think that were
the first time I’d been on a busy street and no one had hassled me for money.
Maybe it were my own robes and loose turban, my beard and way of standing, but
whatever it were no one sempt to take me for a valetiya. I’d changed. (p192)
Isolation
and connection.
The
nights would feel so cold over there, like the cold wanted to settle in my
bones and make me its home. It’s funny, it might’ve been the most isolated
place I’ve ever been, but I don’t think I’ve ever felt more connected to the
world. Not in the packed streets of Sheff or at uni, not in England really,
where I always felt that even though there were all the rush and noise you
could want, I weren’t actually ever bumping up against life, instead just
constantly moving out of its way. (p202)
People
don’t even think about that, do they? That there are different types of
soldiers. That Faisal were different to Aaqil. But Faisal understood. He knew
about love for his people and he knew that were the best thing in the world to
feel because then their pain becomes as real to you as yours, and for the first
time you realise you’re not on your own. (p236)
Heartbreak.
‘I
need to wash, don’t I? The sun’s gonna be up soon.’
‘Right.
Well, in that case,’ she went on, putting on a happy voice, ‘shall we pray
together? I don’t think I’ve done the early prayer once since Noor was born.’
‘We
can’t. Men and women can’t pray together. You just go back to sleep.’
‘That
hasn’t stopped us before.’
‘This
isn’t before. Didn’t you hear me? Just go back to bed.’ (p286)
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